Having studied at the Film and TV institute of Tamil Nadu, Chennai what made you take up wildlife cinematography?
I always wanted to be a Wildlife cinematographer. My father was a photographer for the railways and during my childhood days he used to take me to wildlife sanctuaries. So at a tender age I started developing an interest towards wild life. As a film institute student I was exposed to the technical aspects. This merger of interest and education in the field paved way for my successful career.
What is your opinion about wildlife cinematography as a career in India?
Wildlife Cinematography is a great career opportunity. To specialize in this patience is very important. I took nearly four years for me to complete my first movie on tigers. The viewership is good in India but what we are lacking is encouragement and the passion towards the field. How many of us have been to wildlife sanctuaries and spent a night or two there? A very few of us and we give it minimum importance. The kind of passion to go out and understand their world is the fundamental need for a wildlife cinematographer. If you have the passion for it you can do it.
Can you elaborate on the various special cameras you have used in your works? Especially about the Red Camera.
I started out with using the basic cameras. Then I moved on to High Definition cameras and I can tell you that Digital is the future. Red camera was used in one of my films ‘Anything for you’, directed by Anand Algappan. A red camera has an incredible resolution of 4 K.
What is the history behind the 14 feet tall Elephant Tripod?
The story of Elephant tripod is interesting. A wildlife cinematographer faces challenges everyday on field. One such challenge was to shoot tigers sitting on elephant backs. Tigers can’t be shot from ground level we have to do with the help of elephants. During this the shoots would get shaky as they constantly keep moving. I tried befriending an elephant and I would sit under its four legs and shoot. But this proved difficult for the long run. So thus I invented the 14 feet tall stool- the Elephant Tripod. I would climb on the elephant and shift to the 14 feet stool.
An AIDS awareness movie with the granddaughter of John F Kennedy, Rory Kennedy. A bit of a shift from wildlife, how did it feel?
It is a real life story and for this movie we watched the AIDS patients go through this. We had the whole story developed around a married couple where the husband is an AIDS patient and how they decide on having a baby and how their baby was born with AIDS too. The movie also contained the new drug developed which was given to the wife during her pregnancy and before her operation. It was a good experience overall.
You are a winner of the prestigious Emmy awards for the one-hour film ‘Tibet: The End of Time’. How was the experience?
Your opinion about Green media?
I call it flying in on borrowed feathers. Projecting the problems is great effort but what happens after that is my real question? There should be some realistic activities. What is essential for the media to cover and inform is about the people who live near the sanctuaries. They are economically very backward and their state of livelihood is very sad. If you ask me why it is important to know about them it is simple. They are the people who live close to nature and they know how to protect it. So for us to protect them is important.